Category Archives: Anatomy

New UN report outlines the ‘Anatomy of a Genocide’ in Gaza – Mondoweiss

Last week, the UN Special Rapporteur on Occupied Palestinian Territories Francesca Albanese issued a report titled Anatomy of a Genocide, concluding that there are reasonable grounds to believe that the threshold indicating the commission of the crime of genocide has been met.

Such reports are not usually titled, but the title itself depicts the nature of what Albanese describes in her immaculate 25-page report. It not only outlines a textbook case of genocide, with clearly and widely expressed intent by leaders backed up by clear genocidal actions it also describes how Israel has used the language and principles of International Humanitarian Law (IHL, the laws governing warfare) to conceal the act.

Albanese begins with the historical context of the genocide, even rooted in Israeli pre-state colonialist intents, and then charts out how Israel has committed three central facets under the crime of genocide the killing of members of a particular group of people, causing bodily or mental harm, and creating destructive conditions of life. There is also a section concerning intent that chronicles some of the countless, unambiguous, genocidal expressions of Israeli leaders.

Then, midway into the report, and constituting almost half of it (points 55-92, out of 97 points), is a section dedicated to the idea of Humanitarian camouflage: distorting the laws of war to conceal genocidal intent.

This section is subdivided into five central themes:

Albanese demonstrates how the three central principles of IHL distinction, proportionality, and precaution have been subverted by Israel in an attempt to obfuscate its genocidal acts and to provide a legal veil for illegal, indiscriminate acts.

This has obscured one cardinal tenet of IHL, Albanese writes. Indiscriminate attacks, which do not distinguish military targets from protected persons and objects, cannot be proportionate and are always unlawful.

Palestinians have become decivilianized in this way:

A core feature of Israels conduct since 7 October has been the intensification of its de-civilianization of Palestinians, a protected group under the [Genocide] Convention. Israel has used IHL terminology to justify its systematic use of lethal violence against Palestinian civilians as a group and the extensive destruction of life-sustaining infrastructures. Israel has done this by deploying IHL concepts such as human shields, collateral damage, safe zones, evacuations and medical protection in such a permissive manner so as to gut these concepts of their normative content, subverting their protective purpose and ultimately eroding the distinction between civilians and combatants in Israeli actions in Gaza.

It is chilling to think that Israels Defense Ministers claim that we are dealing with human animals and we will act accordingly (October 9), has translated into reality in such a way that humans are reduced to conceptual rubble dehumanized and decivilainized.

The analysis continues to outline Israels subversion of IHL norms, including concepts like human shields, military objectives, and collateral damage.

The history of the general usage of this term as a pretext for indiscriminate attacks is mentioned, particularly in the 2008-2022 aggressions. But on October 7 this rose to a new level:

After 7 October, this macro-characterization of Gazas civilians as a population of human shields has reached unprecedented levels, with Israels top-ranking political and military leaders consistently framing civilians as either Hamas operatives, accomplices, or human shields among whom Hamas is embedded International law does not permit the blanket claim that an opposing force is using the entire population as human shields en bloc The accusation of using human shields has thus become a pretext, justifying the killing of civilians under a cloak of purported legality, whose all-enveloping pervasiveness admits only of genocidal intent.

International law stipulates that attacks must be strictly limited to objects that must offer a definite military advantage. But, Albanese notes, Israel has misused this rule to militarize civilian objects and whatever surrounds them, justifying their indiscriminate destruction. Thus, Gazas civilian population and infrastructure are presented as obstructions positioned amongst, in front of and above targets Israel has characterized the whole territory as a military objective Israel considers any object that has allegedly been or might be used militarily as a legitimate target, so that entire neighbourhoods can be razed or demolished under fictions of legality.

Israel seeks to conceal the widescale targeting of civilians as collateral damage. Invoking the concept of proportionate collateral damage to knowingly shell large numbers of members of the protected group, Israel asserts that when attacks result in more collateral damage than expected, this does not necessarily indicate a violation, since compliance is conduct-oriented, not result-oriented.In other words, Israel says that it doesnt mean to kill many civilians it just occurs despite precautions. However, Albanese writes,

in all attacks launched against residential towers without warnings, extensive civilian harm has been anticipated as the main outcome. The Al-Taj building was full of families at the time of the 31 October strike, which must have been anticipated as certainly killing or injuring all the civilians living there. The fact that so many people were killed was entirely predictable hence at least indirectly intended as is evident from the images that the Israeli military itself published. The attack on the Jabalia refugee camp on 25 October killed at least 126 civilians, including 69 children, and injured a further 280. Israeli military personnel affirmed that the target was one Hamas commander in an underground base.

Israel seems to assess proportionality not only as a question of military advantage but as a question of destroying Hamas politically:

Israels proportionality assessments have flouted legal requirements by defining military advantage, in each attack, in relation to the destruction of the whole Hamas organization both politically and militarily. It is manifestly illegal to declare as a war aim the destruction of the other sides political capacity (particularly in the context of a 56-year military occupation which deprives the occupied population of its right to self-determination) In other words, Israel appears to represent itself as conducting a proportionate genocide.

Albanese writes:

The mass evacuation order of 13 October when 1.1 million Palestinians were ordered to evacuate northern Gaza in 24 hours to Israeli-designated safe zones in the south Instead of increasing safety for civilians, the sheer scale of evacuations amidst an intense bombing campaign, and the haphazardly communicated safe zones system, along with extended communications blackouts, increased levels of panic, forced displacement and mass killing.

When the northern residents were evacuated to the south, Israel illegally categorized the inhabitants of northern Gaza who had remained (including the sick and wounded) as human shields and accomplices of terrorism, thereby turning hundreds of thousands of civilians into legitimate military targets or collateral casualties through impossible-to-follow evacuation orders.

And the safe zones werent safe either:

The erasure of civilian protections in the evacuated area was combined with indiscriminate targeting of evacuees and inhabitants of the areas designated as safe zones Of the roughly 500 2,000-pound bombs dropped by Israel in the first six weeks of hostilities, 42 percent were deployed in the designated safe zones in southern areas.

Simply put, Albanese summarizes, safe areas were deliberately turned into areas of mass killing.

This has been a tool of ethnic cleansing:

The pattern of killings of civilians who evacuated to the south, in combination with statements of some senior Israelis declaring an intent to forcibly displace Palestinians outside Gaza and replace them with Israeli settlers, lead to reasonably infer that evacuation orders and safe zones have been used as genocidal tools to achieve ethnic cleansing.

This point sends a chill down the spine, as Gazas largest hospital, al-Shifa has now been reduced to burned rubble, with bodies strewn across the area, following Israels recent two-week-long siege.

A final layer of Israels humanitarian camouflage concerns its efforts to provide legal cover for systematic attacks against medical facilities and personnel, causing the progressive collapse of Gazas healthcare sector, writes Albanese.

This is not the first time Israel accused Hamas of using hospitals as Hamas headquarters, but in the current assault, Israel has invoked this legal strategy to justify genocide through the complete destruction of life-sustaining infrastructure.

Israel was widely challenged on its former assault on the al-Shifa hospital in November.

Media reports challenged Israels allegations that Hamas were using hospitals as shields, asserting that there was no evidence to suggest that the rooms connected to the hospital had been used by Hamas; the hospital buildings (contrary to Israeli military 3D images) were found not to be connected to the tunnel network; and there was no evidence that the tunnels were accessible from the hospital wards. In addition, the Israeli army reportedly rearranged weaponry at al-Shifa before news crews visits, raising further suspicions of fabrication after the Israeli army had claimed that a list of terrorists it had found in another Gaza hospitalthe Al Rantisiturned out to be a calendar of the days of the week in Arabic.

The level of the Israeli propaganda would be something to laugh about (and was widely mocked) if it werent so deadly serious. Even if one were to take these repeated allegations at face value, Israel behaved illegally:

Whether or not Israels accusations of hospital shielding at al-Shifa were true but still remain to be proven , the civilians in the hospitals should have been protected and not subjected to siege and military attack.

This lack of protection for civilians was itself genocidal:

That the intent behind Israels humanitarian camouflage in this instance can only be characterized as genocidal is clear for two reasons. First, Israel was aware of the large-scale destruction of the healthcare system since the World Health Organization had reported in mid-November that a public health catastrophe was developing in Gaza, with 26 of 35 hospitals no longer operational due to Israels bombing and siege. Second, Israel knew that its military operation was resulting in a significant number of wounded. Physical trauma constitutes the most predominant cause of excess mortality in Gaza. It was predictable that forcibly suspending services at the largest hospital in Gaza would seriously harm the prospects for survival of the injured, the chronically ill and newborn babies in incubators. Therefore, by targeting al-Shifa Hospital, Israel knowingly condemned thousands of sick and displaced people to preventable suffering and death.

The overwhelming nature and scale of Israels assault on Gaza and the destructive conditions of life it has inflicted reveal an intent to physically destroy Palestinians as a group, Albanese concludes.

Israel has sought to conceal its eliminationist conduct of hostilities sanctioning the commission of international crimes as IHL-abiding. Distorting IHL customary rules, including distinction, proportionality and precautions, Israel has de facto treated an entire protected group and its life-sustaining infrastructure as terrorist or terrorist-supporting, thus transforming everything and everyone into either a target or collateral damage, hence killable or destroyable.

This goes back to the first Nakba of 1948:

Israels genocide on the Palestinians in Gaza is an escalatory stage of a long-standing settler colonial process of erasure. For over seven decades this process has suffocated the Palestinian people as a group demographically, culturally, economically and politically , seeking to displace it and expropriate and control its land and resources. The ongoing Nakba must be stopped and remedied once and for all. This is an imperative owed to the victims of this highly preventable tragedy, and to future generations in that land.

The last two points (96-97) of the report are about what we the international community can, and indeed must do, to avert this genocide.

The Special Rapporteur urges member states to enforce the prohibition of genocide in accordance with their non-derogable obligations. Israel and those states that have been complicit in what can be reasonably concluded to constitute genocide must be held accountable and deliver reparations commensurate with the destruction, death and harm inflicted on the Palestinian people.

The means at our disposal:

Finally, Albanese calls on the Office of the High Commissioner for Human Rights to enhance its efforts to end the current atrocities in Gaza, including by promoting and accurately applying International Law, notably the Genocide Convention, in the context of the oPt as a whole. That is, to see the genocide of Gaza not merely as a local matter, but as a genocidal assault on all Palestinians, also beyond Gazas geographical confines.

Israels initial, knee-jerk response was to describe the report as an obscene inversion of reality. The problem is, that Albanese has used about half of her meticulous report to document how it is precisely Israel that is inverting reality through the mentioned twisting of IHL terms to justify and continue its genocide.

The U.S., for its part, chose to avoid the subject by shooting the messenger hiding behind regurgitated, false allegations of Albanese as an antisemite as State Department Spokesperson Matthew Miller did in response to a question on the matter:

We have for a longstanding period of time opposed the mandate of this Special Rapporteur, which we believe is not productive. And when it comes to the individual that holds that position, I cant help but note a history of antisemitic comments that she has made, that were reported.

But many other countries, particularly Arab ones as well as other global south countries, rallied behind Albanese and affirmed the seriousness of her report. At the UN presentation of the report last week, Israel and the U.S. boycotted the event. The EU, for its part, called for proper and independent investigations on all allegations, alas recognizing Israels right to self-defense.

Self-defense, it bears mention, is no excuse for genocide, and the reason why one purportedly goes to war has no bearing on how one conducts it. So the EU is avoiding the issue, in a perhaps less visible manner than Israel and the U.S.

Israel has destroyed Gaza, said the Special Rapporteur. Its not incidental, its not a natural disaster its genocide. Now its only down to those who accept this awful truth and those who hide from it.

More here:
New UN report outlines the 'Anatomy of a Genocide' in Gaza - Mondoweiss

Arizona Returned to ‘Grey’s Anatomy,’ But Did She Mention Callie? – Henry Herald

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Read more:
Arizona Returned to 'Grey's Anatomy,' But Did She Mention Callie? - Henry Herald

Grey’s Anatomy Season 20 Just Proved Maggie & Winston Won’t Be Endgame – Screen Rant

Warning! SPOILERS about Greys Anatomy season 20, episode 3 ahead.

Winston and Maggies relationship seemed doomed before the Greys Anatomy season 19 finale gave some hope about it surviving, but season 20, episode 3 showed the true damage it secretly sustained. Maggie and Winstons relationship differed from Maggies previous ones, possibly even lasting the longest because Winston brought out Maggies most easygoing side, countering her tendency to plan meticulously and act most reasonably with his spontaneity. Winstons move to Seattle in Greys Anatomy season 17 was proof of that, with their relationship turning out to be one of the seasons happiest developments, given Merediths grave illness and the pandemic storyline.

While Maggie and Winstons dating turned quickly into a marriage, they overcame what they didnt have time to learn about each other with an eagerness to do their best from that moment forward. Greys Anatomy season 18 started showing irreconcilable differences between them when Winston shut everybody out, Maggie included, when his familys problems and his brother Wendell surfaced, showing an opposition to listen to any perspective that wasnt his, a side incongruous with how he presented himself beforehand. Although heartbreaking cases eventually reunited them, their different approaches couldnt be more opposite, causing insurmountable problems in Greys Anatomy season 19.

Maggie and Winston hooking up in Greys Anatomy season 19s ending brought out the best of their bond, with their connection seeming the most effortless as it had ever been throughout the season, thus raising hopes about a long-distance relationship between the two potentially working. However, Greys Anatomy season 20 repeatedly showed a more uncompromising Winston, either through his open discontent with Baileys Greys Anatomy season 20 intern methods or lack of bedside manners with Teddy and Owen. Greys Anatomy season 20, episode 3s medical case eventually exposed Winstons worst, with his anger even letting him snap at a patient.

Greys Anatomy season 20, episode 3s beginning revealed Winstons upcoming trip to Chicago, showing him seemingly calmer because of it. However, snapping at Nate Ardillas unreasonable goal to sail with his handmade floating bubble to Hong Kong exposed Winstons lack of control, especially considering the patients extensive wounds that eventually killed him. Winstons anger stemmed from Maggie canceling yet another time on him just before he was about to depart, with his and Owens ending discussion highlighting how fraught the situation was to frustrate Winston to the point of taking it out on a patient.

Owens helpful advice to pivot from asking himself at what point to stop trying, to why Winston still continued to do so eventually prompted him to remove his wedding band. Still, Winstons realization and his behavior repeatedly showed that they had already reached the point of no return. Indeed, his frustration only let Winston see Maggies shortcomings of not keeping her promises, but his love for her had already turned to resentment unbeknownst to him, against which Owen warned him in Greys Anatomy season 19, episode 4 at a time Maggie and Winston both revealed not to respect the other.

While the biggest hint in Greys Anatomy season 20, episode 3 could have been Winstons mood, something else helped him realize how much he had lost sight of his relationship with Maggie. Simones kindness in lying to Nates wife so that she wouldnt blame herself for his death after he told Simone to say that everything he did was for her showed how little the two spouses communicated. Nate mindlessly trying to prove himself against her ex-boyfriends accomplishments while Nates wife didnt even think about him revealed that despite being in the same marriage, they didnt have the same goals.

Winstons attempts to save his marriage with Maggie mirrored Nates behavior, as he tried his best since his idea to switch specialties in Greys Anatomy season 19 to put their relationship front and center, organizing trips to Chicago even just to discuss how to proceed. However, in doing so, Winston didnt check with Maggie about her goals and whether she truly wanted to continue to build something with him, just like Nate never asked what his wifes wishes were, instead trying to prove himself against adventurous accomplishments she never cared about and dying because of them.

Winstons actions in Greys Anatomy season 20, episode 3s ending right after Owens words got through to him clearly established he finally put himself first. Removing his wedding band symbolically meant Winston finally stopped trying to save an unsuccessful marriage at his expense. With Maggie away from Seattle and Kelly McCreary having officially left Greys Anatomy, this could be the best possible option for Winston, who can finally build the life he wants for himself without having to dampen his goals and wishes to make space for Maggie.

However, it could also be the best outcome for Maggie considering she spent the best part of Greys Anatomy season 19 either avoiding or fighting with Winston, not understanding his perspective more often than she did. Their relationship in Greys Anatomy season 19 consisted of the two never being able to accept the others point of view, losing respect for one another, and generally turning their hopeful relationship into something full of resentment. Winston finally letting the relationship end in Greys Anatomy season 20 thus gives him and Maggie a chance at happiness, unburdened by their past.

Episode #

Title

Release Date

4

Baby Can I Hold You

April 4, 2024

5

Never Felt So Alone

April 11, 2024

6

TBA

TBA

7

TBA

TBA

8

TBA

TBA

9

TBA

TBA

10

TBA

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Grey's Anatomy airs new episodes every Thursday on ABC at 9pm ET.

Grey's Anatomy is considered one of the great television shows of our time, winning several awards and four Emmys. The high-intensity medical drama follows Meredith Grey and the team of doctors at Grey Sloan Memorial, who are faced with life-or-death decisions on a daily basis. They seek comfort from one another, and, at times, more than just friendship. Together they discover that neither medicine nor relationships can be defined in black and white.

Excerpt from:
Grey's Anatomy Season 20 Just Proved Maggie & Winston Won't Be Endgame - Screen Rant

The Fate of Grey’s Anatomy Revealed After 20 Seasons – E! NEWS

Grey's Anatomywon't be hanging up its white coat just yet.

The ABC series has been renewed for a 21st season, extending its run as primetime TV's longest-running primetime medical drama, according to show creatorShonda Rimes.

"The loyalty and love ofGrey's Anatomyfans has propelled us into a historic 21st season," she told E! News in an April 1 statement, "and I could not be more grateful."

Rimes also confirmedthat showrunnerMeg Mariniswho replacedKrista Vernoffat the end of season 19will continue serving her current role. Praising Marinis, she called the showrunner's storytelling "a gift that continues to keep the show vibrant, compelling and alive."

Rimes added, "I can't wait to see what she has in store for next season."

News of the renewal comes just weeks after the premiere ofGrey's Anatomy's20th season, the first one sinceEllen Pompeostepped back from herlead role as Meredith Grey. However, the actress remains a part of the main cast as the show's narrator, with a new generation of physicians and internsincludingNatalie Morales,Nico TerhoandMidori Francisscrubbing in.

Read more from the original source:
The Fate of Grey's Anatomy Revealed After 20 Seasons - E! NEWS

Why Anatomy Of A Fall Is Rated R – Screen Rant

Summary

This article contains discussion of suicide

As one of the breakout movies of 2023, Anatomy of a Fall has attracted popular international attention, yet its appeal is arguably limited by its R-rating. A legal thriller centered around the excavation of complex interpersonal relationships, most of the movie's action takes place in the typically reserved atmosphere of a courtroom. Nevertheless, throughout its 150-minute runtime, Anatomy of a Fall does more than enough to earn its R-rating a categorization that actually enhances rather than diminishes the onscreen drama.

Starring an Oscar-nominated Sandra Hller in the lead role, Anatomy of a Fall is ostensibly a murder mystery that is much more interested in the moral ambiguity around the justice system than in providing a concrete answer to the case. Hller plays Sandra Voyter, a writer whose world is turned upside down when her husband's body is found outside their isolated French cabin. Sandra soon faces an uphill struggle to prove her innocence both to the court and to her young son, Daniel. While it may have been possible to tell this story without an R-rating, Anatomy of a Fall is uncompromising in its portrayal of the action.

Anatomy of a Fall's official MPAA R-rating has been assigned for some language, sexual references, and violent images. While these warnings in isolation would be enough to warrant more restricted viewing, their application within the movie makes them even more "R-rated" than they would be in other contexts. For example, the movie shows Sebastian's body falling out of the window on several occasions, as well as its violent impact. There is also a scene where police attempt to reenact the fall with upsetting realism, further proving the film's unsuitability for younger viewers.

Beyond the violence, which also includes several bloody close-ups of Sebastian's body, Anatomy of a Fall also uses harsh language to indicate the stress felt by certain characters notably in the kitchen argument sequence. There's also the fact that the movie is deliberately adult in its intent. Despite starring 15-year-old Milo Machado-Graner as Daniel, Anatomy of a Fall revolves around weighty themes like loss, violence, and depression with the adult relationship between Sandra and Sebastian a primary concern. As such, the movie's R-rating is more than justified.

While an R-rating can sometimes limit a film's appeal, in Anatomy of a Fall's case, it is absolutely necessary for success. The key to the movie's power is the contrast between closeted, toxic resentment, built over years of complex adult relationships, and explosions of passionate violence. It's in the juxtaposition between genuinely upsetting scenes, such as Sebastian's death reenactment, and quieter moments of tension that the drama really comes to life.

If the film was limited in the language it could use or the violence it could portray, the ultimate message of the story would become lost

Without an R-rating, Anatomy of a Fall's most important moments would lose their potency. If the film was limited in the language it could use or the violence it could portray, the ultimate message of the story would become lost marring what is one of the 2023's most provocative, complex, and affecting movies. It might put some viewers off, but Anatomy of a Fall's R-rating is essential.

Read more from the original source:
Why Anatomy Of A Fall Is Rated R - Screen Rant

‘Grey’s Anatomy’ Fans Get a Big Update About the Future of the Show – Gwinnettdailypost.com

Grey's Anatomy is only a few episodes into its landmark 20th season, but already the show, which is the longest-running medical drama on primetime TV (no big deal), has been renewed for Season 21.

The loyalty and love of Greys Anatomy fans has propelled us into a historic 21st season, and I could not be more grateful, creator Shonda Rhimes said. The TV mogul also gave a shoutout to new showrunner Meg Marinis, who's worked on Grey's in some capacity since Season 3 but only just replacedKrista Vernoff as series boss this year.Meg Marinis storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season," Rhimes said.

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'Grey's Anatomy' Fans Get a Big Update About the Future of the Show - Gwinnettdailypost.com

Anatomy Of A Fall’s Best Scene Is A Brutal Reminder Of This Netflix Movie With 95% On Rotten Tomatoes – Screen Rant

Summary

Anatomy of a Fall's most memorable scene serves as a tragic reminder of a Netflix film that boasts an impressive 95% Rotten Tomatoes score. Directed by Justine Triet, Anatomy of a Fall, on the surface, is a legal drama that initially hooks viewers by focusing on a man's mysterious death and the legal investigation that entails. However, as the film gradually progresses and unfolds the layers behind the central death, it gradually evolves into a heart-wrenching family drama that explores the profound consequences of unresolved conflicts and unchecked emotions in a relationship.

Regardless of what it focuses on the overarching mystery or the tumultuous relationships of the central family Anatomy of a Fall never leaves a dull moment. The film has several impactful moments that keep viewers intrigued throughout its runtime. However, one of its most harrowing scenes lies in its second half, reminding viewers of another similar moment from an acclaimed 5-year-old Oscar-nominated drama.

What makes Anatomy of a Fall a compelling and deeply moving drama is that it allows audiences to be the judges instead of leaving them with conclusive answers. As the film's credits start rolling, no one but the protagonist, Sandra, knows whether she killed her husband. However, since she is merely a fictional character, it is hard not to ponder if it is right to question the complexities of morality and justice Sandra grapples with. As fictional as Anatomy of A Fall's drama may be, however, its argument scene leaves a lasting impression, reminding one of Marriage Story's big fight.

Just like Marriage Story dives into the depths of a failing marriage by giving viewers a glimpse of Adam Driver and Scarlett Johansson's characters' emotional turmoil and repressed frustrations, Anatomy of a Fall draws a similar picture by walking through an intense and anxiety-inducing argument between Sandra and her husband, Samuel. Owing to this, even though Anatomy of a Fall dabbles with several themes and genres at once, unlike Marriage Story, it is hard not to see its central couple as mirrors of Adam Driver and Scarlett Johansson's Marriage Story characters.

While both scenes have been brilliantly acted, Anatomy of a Fall's fight feels more disturbing for more reasons than one. Unlike Marriage Story, in which Adam Driver and Scarlett Johansson's characters fight behind closed doors with no spectators, Anatomy of a Fall presents its central couple's confrontation in a courtroom brimming with people. Sandra and her husband's vulnerabilities, insecurities, and trigger points are put on full display in front of at least twenty other people who cannot help but judge them. The fact that Sandra and Samuel's confrontation ends with a physical altercation adds another layer of discomfort to it.

Anatomy of a Fall also ingeniously goes back and forth between presenting the audio of the heated exchange and a third-person perspective of the couple's actual live confrontation. While the third-person perspective allows the actors to shine as their characters, the audio leaves much to the viewer's imagination, inviting them to paint vivid pictures of what is happening. With the audio in the background, the film also focuses on the courtroom spectators' reactions, intensifying the empathy one feels for Sandra as she recalls and navigates one of the worst days of her marriage.

Movie Title

Rotten Tomatoes Critics Score

Rotten Tomatoes Audience Score

Anatomy of a Fall

96%

90%

Marriage Story

95%

85%

Perhaps the biggest difference between the two scenes is that the couple in Marriage Story eventually gives up and breaks down before things escalate. In Anatomy of a Fall, however, Sandra and Samuel take things too far, which permanently fractures their relationship. Marriage Story's Charlie and Nicole do not eventually end up back together but learn to forgive one another before moving forward and focusing on looking after their son. Samuel and Sandra's fight, in contrast, escalates to Samuel's death.

Sandra's admission of accepting her loss despite winning the case in Anatomy of a Fall 's ending reflects how she gets a semblance of justice but fails to find the solace she seeks in the tragedy's aftermath.

Anatomy of a Fall's ending maintains an air of mystery surrounding the reason behind Samuel's demise. However, the confrontation scene establishes that it was the tipping point in the couple's relationship and rippled down to irreversible consequences. In the film's final arc, Sandra tells Vincent how she does not feel like she has won anything despite having the verdict in her favor. Sandra's admission of accepting her loss despite winning the case in Anatomy of a Fall's ending reflects how she gets a semblance of justice but fails to find the solace she seeks in the tragedy's aftermath.

Anatomy of a Fall is available for streaming on Hulu, while Marriage Story can be streamed on Netflix.

Anatomy of a Fall is a crime-drama film by director Justine Triet and made its initial debut at the Cannes Film Festival in 2023. Following the death of successful writer Sandra's husband Samuel in the French Alps, she is arrested and accused of murder. With their blind son, Daniel, the only witness to Samuel's death, Sandra must face nearly impossible odds to prove her innocence.

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Anatomy Of A Fall's Best Scene Is A Brutal Reminder Of This Netflix Movie With 95% On Rotten Tomatoes - Screen Rant

This ‘Grey’s Anatomy’ Death Changed the Series Forever – Collider

The Big Picture

Its a beautiful day to save lives, being one of Grey's Anatomys most famous quotes is ironic considering just how often the show tends to kill off its characters. Its expected in a medical show for patients to sometimes meet a tragic end, especially with some of the absurd cases that come through the doors. But to kill off main characters? Thats a pretty risqu move. Yet Greys went there, and has continuously gone there throughout the series. Every fan has that one character death that affects them more than the others, but looking at the show from a non-biased standpoint, theres one death that truly changed the show and turned it upside down. And its probably not the one you think.

A drama centered on the personal and professional lives of five surgical interns and their supervisors.

It can be funny to joke about how Greys Anatomy has a penchant for killing off its characters, but when you really take a step back and look at the sheer volume of deaths that have come out of the show, its a little jarring. Even the ones who managed to escape Shonda Rhimes' pen of death suffered a major trauma at some point in time. The first major character we said goodbye to was Denny Duquette (Jeffrey Dean Morgan) back in Season 2. Denny was a heart patient who fell in love with Izzie (Katherine Heigl), and while his fate never seemed all that promising, fans (and Izzie) still rooted for him to make it out alive. It even seemed like he was going to do just that until his heart finally gave out on him once and for all. It was a majorly tragic moment, especially so early on in the show, but it didnt affect the show or the rest of the characters the way other deaths did.

When you think of the major Greys character deaths, the first to come to mind is likely Derek Shepherd (Patrick Dempsey). After all, hes McDreamy. How could the show possibly go on without him? Or maybe you think of Mark Sloan (Eric Dane) and his impeccable charm and character development. Both are solid choices. Heck, all the deaths in the show got me good. But theres one death that happened earlier that not only broke the hearts of fans everywhere but quite literally changed the trajectory of the show forever.

George OMalley (T.R. Knight) was without a doubt one of the most beloved characters on Greys Anatomy. Not only was he one of the O.G. interns, so he had that going for him. But he was also just a total sweetheart. He wore his heart on his sleeve, cared for his friends more than he did himself, and was always willing to help whoever he could. So killing him off was about the boldest move the show could have made, aside from killing Derek or Meredith (Ellen Pompeo). And the show didnt just kill him off, it gave him one of the most torturous deaths in the whole show. Hes brought to the hospital as a John Doe after being hit by a bus. A freaking bus! And since he was brought in as a John Doe, and cant speak to give his name, no one knows who he is, and therefore no one can call his family or friends to tell them whats happened.

The doctors scramble to save this mans life, all the while not knowing that hes one of their own. Until he writes 007 in Merediths palm, and then it suddenly clicks. Its Georges nickname. The patient on the table is George. Merediths cry is gut-wrenching when she realizes it, and everything seems to freeze when she announces it to her fellow doctors. Suddenly, its not just a patient theyre doing everything they can to save, its one of their own, and the stakes are so much higher.

Georges injuries prove to be too severe, and he passes away among his friends and colleagues. Its tragic and still gets the waterworks flowing all these years later. And yes, thats partly due to how beloved a character George is, but its also because you quickly begin to realize once hes gone just how much of an impact he had on everyone around him. He was Izzies best friend from day one. He and Callie (Sara Ramirez), despite being divorced from one another, were still close friends and had a lot of love for one another. He was one of the few men who hadnt let Meredith down. Lexie (Chyler Leigh) had a crush on him. And Miranda Bailey (Chandra Wilson) named her son after him for crying out loud. She even admitted that he was her favorite intern.

George touched everyones lives in some way, big or small. But more than that, his death was the turning point that told audiences no one in the show was safe anymore. No longer were the deaths confined to just patients or recurring guest stars. Anyone could be visited by the Grim Reaper of Grey's Anatomy, and there was no way of telling who would be next or when. And as devastating as it was, Greys Anatomy has always been superb at invoking emotion. Whether it be anger, grief, or sadness. Or, in this case, all three. George will forever be missed by fans, and the characters themselves, and though the show has clearly remained successful, its never quite been the same without him. George'sdeath remains a poignant piece of Greys Anatomy history, and always will. No matter how devastating it may be.

Grey's Anatomy is available to watch on Netflix in the U.S.

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This 'Grey's Anatomy' Death Changed the Series Forever - Collider

The Anatomy of An Inning: Kutter Crawford’s Offspeed Heavy Debut – Over The Monster

Ladies and gentlemen, boys and girls, gather round because The Anatomy of An Inning is back. My name is Jacob Roy, and I pretend to know pitching better than the pitchers themselves. Over the off-season, I spent hours upon hours pouring over pitching stats, watching old starts, and speculating on what changes may be coming for Red Sox pitchers. With real game action kicking off, its time to dive back into the outings inning by inning, pitch by pitch, and find out if the box score tells the whole story.

The Red Sox rotation came into the season with question marks from one to five. Unfortunately, there are only so many hours in the day, and I can only write so many breakdowns each week. Ill be sure to get to everyone, but I want to talk about Kutter Crawford first. Partially because I consider myself the worlds earliest Kutter Crawford truther, but also because what he did on Saturday is a significant shift from the Crawford weve seen in the past.

Well go to the sixth inning with the score tied 1-1. Crawford has been efficient thus far, entering the inning at just 61 pitches. J.P. Crawford leads off for the Mariners, seeing Crawford for the third time. Ill note that last season, the 49 hitters who saw Crawford for a third time posted a 1.142 OPS, an issue that needs to be sorted if the righty wants to establish himself as a middle-of-the-rotation starter.

Kutter starts the at-bat with a curveball that gets away from him. Typically, Im all for the first pitch off-speed pitch to steal a strike when most hitters are looking for fastballs. In this case, Im a little more apprehensive because he started the previous at-bat with a curveball that Crawford put into play. Either way, the rightys release point is off and the ball is well above the zone for ball one.

Heres just the second fastball J.P. has seen today, well located at the top of the zone for a called strike. With the amount of induced vertical break on that pitch, its incredibly difficult for a hitter to square up if the shortstop were to swing. 1-1.

Heres a cutter that should be on the inner half, but starts too far outside and stays away. It may be a strike with a robot umpire, but its hard to ask for that call when you miss your spot and the catcher has to reach for it. Now, behind in the count, Crawford should look to throw strikes in areas where he can get weak contact. Against a lefty, a cutter up and in is a good option.

A beautiful sweeper this time that starts away and finishes middle. The lefty is way out in front, indicating hes looking for a fastball. Kutter has two options: either double down on the off-speed pitches even further from the zone or give the hitter the fastball hes been hunting. Normally, Id say throw the sweeper again, but because Crawford has only thrown 14 fastballs to this point and didnt throw one in a 2-1 count, the hitter may feel that hes not going to get one at all and Crawford can get one by him.

Filth. Kutter opts for the latter, pumping a fastball up and away that J.P. swings right under.

Heres another hitter that hasnt seen a fastball today. Through two at-bats, here are the pitches hes seen. Nothing but sweepers, cutters, and a slider.

First pitch four-seam fastball that misses inside. I love the idea here, just not the execution. This pitch should be on the inside edge, where if Rodriguez swings expecting the heavy diet of cutters and sweepers, hell get jammed and become a quick out. If he takes, its called strike one. Unfortunately, Crawford misses too far inside and is behind 1-0.

Cutter, skipped in for ball two. Now Crawford has to be careful with a dangerous hitter at the plate.

Heres another cutter for a called strike. Julio thinks its high, but the vertical drop brings it back down to maybe clip the top of the zone. At 2-1, Crawford should still be careful and even look to induce a weak ball in play. Another inside fastball could work here.

Statcast has this pitch as a cutter, but at only 82 MPH it may be a slider. Either way, he actually misses his spot as he wants this one down and away. Fortunately, it doesnt miss over the heart of the plate and Rodriguez fouls it out of play.

Heres an interesting one and something I dont know that Ive seen from Crawford before. Wong calls for a four-seamer and sets up low and away. Normally, Id advocate for Crawford to keep his fastball up in the zone, but this pitch has been set up over the last two at-bats. Ten of the eleven pitches Rodriguez has seen to this point have been moving away from him. If he sees a pitch that starts on the outside edge, hes likely to let it go, assuming it will continue to tail further out of the strike zone. Because its a four-seamer though, it would have stayed over the outside edge for called strike three. Its a good idea in practice, but poor execution from Crawford as the pitch misses upstairs and Rodriguez fouls it away again.

See what I mean? Crawford throws his sweeper this time that starts over the edge and finishes off the plate. Rodriguez thinks about it but recognizes its not going to be a strike and stops his swing to run the count full. The result here tells me that the previous pitch likely would have been a backward K with better location.

Now this is cool. I see pitch sequencing as a game of cat and mouse. Throw pitches the hitter isnt expecting and they become that much harder to hit. In his third trip time against Rodriguez, Crawford showed the fastball twice at 0-0, looking to get ahead of the hitter. Now, at 3-2, Rodriguez is likely looking for another fastball and instead sees another off-speed pitch. The confidence to execute breaking balls and off-speed pitches in a full count is incredibly valuable for pitchers, and Crawford did exactly that here against one of the games best hitters.

First pitch curveball at the bottom of the strike zone for called strike one. Hitters typically arent looking for 0-0 breakers, so executing these can be free strikes.

Polanco shows bunt, and Crawford lands a sweeper to get the count to 0-2. As always, at 0-2, throw anything that isnt good to hit.

Crawford doubles up on the sweeper and fools Polanco who barely gets a piece with the end of his bat. Id prefer to see this further below the zone, but thats nitpicking. Good pitch.

Another sweeper, this time too inside for ball one. Id go away from the sweeper after three consecutive.

Fastball above the zone for ball two. Another good idea, but it needs to be closer to the zone to get a swing.

Sweeper outside to run the count full.

And finally, a cutter that falls out of Crawfords hand to put Polanco on first base. Hell be disappointed in himself for walking a hitter after going up 0-2.

Crawford starts the at-bat with a cutter low and away. Haniger tries to check his swing, but cant hold up and gets called for strike one. The swing here tells me Haniger wants to be aggressive and get a fastball to hit.

Haniger gets the fastball he wants and fouls it off to right field. Poor location from Crawford who wants to keep this inside but instead leaks over the plate. 0-2, you know what to do (Dont throw something good to hit).

This is as good of an 0-2 pitch as you can throw without getting an out. Crawford goes with a sweeper and hits his spot down and away. Haniger has no interest, probably because hes only seen two fastballs to this point in the game, and both have been up in the zone. He sees a pitch down and knows to let it go.

Heres the pitch that Crawford tried to throw Julio Rodriguez, but executed perfectly. Haniger, seeing down and away again, lets this go as hes expecting it to spin out of the zone. Instead, it stays straight and gets the outside edge of the zone for called strike three. Each at-bat influences the next one, and this pitch works because of how Crawford has attacked hitters to this point. In this outing, the game plan was to throw more breaking balls, opening the door for the low and away fastball.

This wasnt Crawford at his best as he missed a few spots in the inning and threw a few extra pitches as a result, yet he still managed to get through six while only allowing a run. Overall, a more varied pitch mix should help Crawford get deeper into games, something the pitching staff needs to stay afloat throughout the season. The more unpredictable your pitches are, the more difficult it becomes for hitters to develop an approach. Andrew Bailey will get a lot of credit for the game plans, but we shouldnt overlook the fact that Crawford, and the other starters, have made the adjustments and executed well. Keep an eye out for more game-by-game changes in strategy as the season progresses.

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The Anatomy of An Inning: Kutter Crawford's Offspeed Heavy Debut - Over The Monster

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