Category Archives: Anatomy

The Fate of Grey’s Anatomy Revealed After 20 Seasons – E! NEWS

Grey's Anatomywon't be hanging up its white coat just yet.

The ABC series has been renewed for a 21st season, extending its run as primetime TV's longest-running primetime medical drama, according to show creatorShonda Rimes.

"The loyalty and love ofGrey's Anatomyfans has propelled us into a historic 21st season," she told E! News in an April 1 statement, "and I could not be more grateful."

Rimes also confirmedthat showrunnerMeg Mariniswho replacedKrista Vernoffat the end of season 19will continue serving her current role. Praising Marinis, she called the showrunner's storytelling "a gift that continues to keep the show vibrant, compelling and alive."

Rimes added, "I can't wait to see what she has in store for next season."

News of the renewal comes just weeks after the premiere ofGrey's Anatomy's20th season, the first one sinceEllen Pompeostepped back from herlead role as Meredith Grey. However, the actress remains a part of the main cast as the show's narrator, with a new generation of physicians and internsincludingNatalie Morales,Nico TerhoandMidori Francisscrubbing in.

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The Fate of Grey's Anatomy Revealed After 20 Seasons - E! NEWS

Why Anatomy Of A Fall Is Rated R – Screen Rant

Summary

This article contains discussion of suicide

As one of the breakout movies of 2023, Anatomy of a Fall has attracted popular international attention, yet its appeal is arguably limited by its R-rating. A legal thriller centered around the excavation of complex interpersonal relationships, most of the movie's action takes place in the typically reserved atmosphere of a courtroom. Nevertheless, throughout its 150-minute runtime, Anatomy of a Fall does more than enough to earn its R-rating a categorization that actually enhances rather than diminishes the onscreen drama.

Starring an Oscar-nominated Sandra Hller in the lead role, Anatomy of a Fall is ostensibly a murder mystery that is much more interested in the moral ambiguity around the justice system than in providing a concrete answer to the case. Hller plays Sandra Voyter, a writer whose world is turned upside down when her husband's body is found outside their isolated French cabin. Sandra soon faces an uphill struggle to prove her innocence both to the court and to her young son, Daniel. While it may have been possible to tell this story without an R-rating, Anatomy of a Fall is uncompromising in its portrayal of the action.

Anatomy of a Fall's official MPAA R-rating has been assigned for some language, sexual references, and violent images. While these warnings in isolation would be enough to warrant more restricted viewing, their application within the movie makes them even more "R-rated" than they would be in other contexts. For example, the movie shows Sebastian's body falling out of the window on several occasions, as well as its violent impact. There is also a scene where police attempt to reenact the fall with upsetting realism, further proving the film's unsuitability for younger viewers.

Beyond the violence, which also includes several bloody close-ups of Sebastian's body, Anatomy of a Fall also uses harsh language to indicate the stress felt by certain characters notably in the kitchen argument sequence. There's also the fact that the movie is deliberately adult in its intent. Despite starring 15-year-old Milo Machado-Graner as Daniel, Anatomy of a Fall revolves around weighty themes like loss, violence, and depression with the adult relationship between Sandra and Sebastian a primary concern. As such, the movie's R-rating is more than justified.

While an R-rating can sometimes limit a film's appeal, in Anatomy of a Fall's case, it is absolutely necessary for success. The key to the movie's power is the contrast between closeted, toxic resentment, built over years of complex adult relationships, and explosions of passionate violence. It's in the juxtaposition between genuinely upsetting scenes, such as Sebastian's death reenactment, and quieter moments of tension that the drama really comes to life.

If the film was limited in the language it could use or the violence it could portray, the ultimate message of the story would become lost

Without an R-rating, Anatomy of a Fall's most important moments would lose their potency. If the film was limited in the language it could use or the violence it could portray, the ultimate message of the story would become lost marring what is one of the 2023's most provocative, complex, and affecting movies. It might put some viewers off, but Anatomy of a Fall's R-rating is essential.

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Why Anatomy Of A Fall Is Rated R - Screen Rant

‘Grey’s Anatomy’ Fans Get a Big Update About the Future of the Show – Gwinnettdailypost.com

Grey's Anatomy is only a few episodes into its landmark 20th season, but already the show, which is the longest-running medical drama on primetime TV (no big deal), has been renewed for Season 21.

The loyalty and love of Greys Anatomy fans has propelled us into a historic 21st season, and I could not be more grateful, creator Shonda Rhimes said. The TV mogul also gave a shoutout to new showrunner Meg Marinis, who's worked on Grey's in some capacity since Season 3 but only just replacedKrista Vernoff as series boss this year.Meg Marinis storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season," Rhimes said.

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'Grey's Anatomy' Fans Get a Big Update About the Future of the Show - Gwinnettdailypost.com

Anatomy Of A Fall’s Best Scene Is A Brutal Reminder Of This Netflix Movie With 95% On Rotten Tomatoes – Screen Rant

Summary

Anatomy of a Fall's most memorable scene serves as a tragic reminder of a Netflix film that boasts an impressive 95% Rotten Tomatoes score. Directed by Justine Triet, Anatomy of a Fall, on the surface, is a legal drama that initially hooks viewers by focusing on a man's mysterious death and the legal investigation that entails. However, as the film gradually progresses and unfolds the layers behind the central death, it gradually evolves into a heart-wrenching family drama that explores the profound consequences of unresolved conflicts and unchecked emotions in a relationship.

Regardless of what it focuses on the overarching mystery or the tumultuous relationships of the central family Anatomy of a Fall never leaves a dull moment. The film has several impactful moments that keep viewers intrigued throughout its runtime. However, one of its most harrowing scenes lies in its second half, reminding viewers of another similar moment from an acclaimed 5-year-old Oscar-nominated drama.

What makes Anatomy of a Fall a compelling and deeply moving drama is that it allows audiences to be the judges instead of leaving them with conclusive answers. As the film's credits start rolling, no one but the protagonist, Sandra, knows whether she killed her husband. However, since she is merely a fictional character, it is hard not to ponder if it is right to question the complexities of morality and justice Sandra grapples with. As fictional as Anatomy of A Fall's drama may be, however, its argument scene leaves a lasting impression, reminding one of Marriage Story's big fight.

Just like Marriage Story dives into the depths of a failing marriage by giving viewers a glimpse of Adam Driver and Scarlett Johansson's characters' emotional turmoil and repressed frustrations, Anatomy of a Fall draws a similar picture by walking through an intense and anxiety-inducing argument between Sandra and her husband, Samuel. Owing to this, even though Anatomy of a Fall dabbles with several themes and genres at once, unlike Marriage Story, it is hard not to see its central couple as mirrors of Adam Driver and Scarlett Johansson's Marriage Story characters.

While both scenes have been brilliantly acted, Anatomy of a Fall's fight feels more disturbing for more reasons than one. Unlike Marriage Story, in which Adam Driver and Scarlett Johansson's characters fight behind closed doors with no spectators, Anatomy of a Fall presents its central couple's confrontation in a courtroom brimming with people. Sandra and her husband's vulnerabilities, insecurities, and trigger points are put on full display in front of at least twenty other people who cannot help but judge them. The fact that Sandra and Samuel's confrontation ends with a physical altercation adds another layer of discomfort to it.

Anatomy of a Fall also ingeniously goes back and forth between presenting the audio of the heated exchange and a third-person perspective of the couple's actual live confrontation. While the third-person perspective allows the actors to shine as their characters, the audio leaves much to the viewer's imagination, inviting them to paint vivid pictures of what is happening. With the audio in the background, the film also focuses on the courtroom spectators' reactions, intensifying the empathy one feels for Sandra as she recalls and navigates one of the worst days of her marriage.

Movie Title

Rotten Tomatoes Critics Score

Rotten Tomatoes Audience Score

Anatomy of a Fall

96%

90%

Marriage Story

95%

85%

Perhaps the biggest difference between the two scenes is that the couple in Marriage Story eventually gives up and breaks down before things escalate. In Anatomy of a Fall, however, Sandra and Samuel take things too far, which permanently fractures their relationship. Marriage Story's Charlie and Nicole do not eventually end up back together but learn to forgive one another before moving forward and focusing on looking after their son. Samuel and Sandra's fight, in contrast, escalates to Samuel's death.

Sandra's admission of accepting her loss despite winning the case in Anatomy of a Fall 's ending reflects how she gets a semblance of justice but fails to find the solace she seeks in the tragedy's aftermath.

Anatomy of a Fall's ending maintains an air of mystery surrounding the reason behind Samuel's demise. However, the confrontation scene establishes that it was the tipping point in the couple's relationship and rippled down to irreversible consequences. In the film's final arc, Sandra tells Vincent how she does not feel like she has won anything despite having the verdict in her favor. Sandra's admission of accepting her loss despite winning the case in Anatomy of a Fall's ending reflects how she gets a semblance of justice but fails to find the solace she seeks in the tragedy's aftermath.

Anatomy of a Fall is available for streaming on Hulu, while Marriage Story can be streamed on Netflix.

Anatomy of a Fall is a crime-drama film by director Justine Triet and made its initial debut at the Cannes Film Festival in 2023. Following the death of successful writer Sandra's husband Samuel in the French Alps, she is arrested and accused of murder. With their blind son, Daniel, the only witness to Samuel's death, Sandra must face nearly impossible odds to prove her innocence.

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Anatomy Of A Fall's Best Scene Is A Brutal Reminder Of This Netflix Movie With 95% On Rotten Tomatoes - Screen Rant

This ‘Grey’s Anatomy’ Death Changed the Series Forever – Collider

The Big Picture

Its a beautiful day to save lives, being one of Grey's Anatomys most famous quotes is ironic considering just how often the show tends to kill off its characters. Its expected in a medical show for patients to sometimes meet a tragic end, especially with some of the absurd cases that come through the doors. But to kill off main characters? Thats a pretty risqu move. Yet Greys went there, and has continuously gone there throughout the series. Every fan has that one character death that affects them more than the others, but looking at the show from a non-biased standpoint, theres one death that truly changed the show and turned it upside down. And its probably not the one you think.

A drama centered on the personal and professional lives of five surgical interns and their supervisors.

It can be funny to joke about how Greys Anatomy has a penchant for killing off its characters, but when you really take a step back and look at the sheer volume of deaths that have come out of the show, its a little jarring. Even the ones who managed to escape Shonda Rhimes' pen of death suffered a major trauma at some point in time. The first major character we said goodbye to was Denny Duquette (Jeffrey Dean Morgan) back in Season 2. Denny was a heart patient who fell in love with Izzie (Katherine Heigl), and while his fate never seemed all that promising, fans (and Izzie) still rooted for him to make it out alive. It even seemed like he was going to do just that until his heart finally gave out on him once and for all. It was a majorly tragic moment, especially so early on in the show, but it didnt affect the show or the rest of the characters the way other deaths did.

When you think of the major Greys character deaths, the first to come to mind is likely Derek Shepherd (Patrick Dempsey). After all, hes McDreamy. How could the show possibly go on without him? Or maybe you think of Mark Sloan (Eric Dane) and his impeccable charm and character development. Both are solid choices. Heck, all the deaths in the show got me good. But theres one death that happened earlier that not only broke the hearts of fans everywhere but quite literally changed the trajectory of the show forever.

George OMalley (T.R. Knight) was without a doubt one of the most beloved characters on Greys Anatomy. Not only was he one of the O.G. interns, so he had that going for him. But he was also just a total sweetheart. He wore his heart on his sleeve, cared for his friends more than he did himself, and was always willing to help whoever he could. So killing him off was about the boldest move the show could have made, aside from killing Derek or Meredith (Ellen Pompeo). And the show didnt just kill him off, it gave him one of the most torturous deaths in the whole show. Hes brought to the hospital as a John Doe after being hit by a bus. A freaking bus! And since he was brought in as a John Doe, and cant speak to give his name, no one knows who he is, and therefore no one can call his family or friends to tell them whats happened.

The doctors scramble to save this mans life, all the while not knowing that hes one of their own. Until he writes 007 in Merediths palm, and then it suddenly clicks. Its Georges nickname. The patient on the table is George. Merediths cry is gut-wrenching when she realizes it, and everything seems to freeze when she announces it to her fellow doctors. Suddenly, its not just a patient theyre doing everything they can to save, its one of their own, and the stakes are so much higher.

Georges injuries prove to be too severe, and he passes away among his friends and colleagues. Its tragic and still gets the waterworks flowing all these years later. And yes, thats partly due to how beloved a character George is, but its also because you quickly begin to realize once hes gone just how much of an impact he had on everyone around him. He was Izzies best friend from day one. He and Callie (Sara Ramirez), despite being divorced from one another, were still close friends and had a lot of love for one another. He was one of the few men who hadnt let Meredith down. Lexie (Chyler Leigh) had a crush on him. And Miranda Bailey (Chandra Wilson) named her son after him for crying out loud. She even admitted that he was her favorite intern.

George touched everyones lives in some way, big or small. But more than that, his death was the turning point that told audiences no one in the show was safe anymore. No longer were the deaths confined to just patients or recurring guest stars. Anyone could be visited by the Grim Reaper of Grey's Anatomy, and there was no way of telling who would be next or when. And as devastating as it was, Greys Anatomy has always been superb at invoking emotion. Whether it be anger, grief, or sadness. Or, in this case, all three. George will forever be missed by fans, and the characters themselves, and though the show has clearly remained successful, its never quite been the same without him. George'sdeath remains a poignant piece of Greys Anatomy history, and always will. No matter how devastating it may be.

Grey's Anatomy is available to watch on Netflix in the U.S.

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This 'Grey's Anatomy' Death Changed the Series Forever - Collider

The Anatomy of An Inning: Kutter Crawford’s Offspeed Heavy Debut – Over The Monster

Ladies and gentlemen, boys and girls, gather round because The Anatomy of An Inning is back. My name is Jacob Roy, and I pretend to know pitching better than the pitchers themselves. Over the off-season, I spent hours upon hours pouring over pitching stats, watching old starts, and speculating on what changes may be coming for Red Sox pitchers. With real game action kicking off, its time to dive back into the outings inning by inning, pitch by pitch, and find out if the box score tells the whole story.

The Red Sox rotation came into the season with question marks from one to five. Unfortunately, there are only so many hours in the day, and I can only write so many breakdowns each week. Ill be sure to get to everyone, but I want to talk about Kutter Crawford first. Partially because I consider myself the worlds earliest Kutter Crawford truther, but also because what he did on Saturday is a significant shift from the Crawford weve seen in the past.

Well go to the sixth inning with the score tied 1-1. Crawford has been efficient thus far, entering the inning at just 61 pitches. J.P. Crawford leads off for the Mariners, seeing Crawford for the third time. Ill note that last season, the 49 hitters who saw Crawford for a third time posted a 1.142 OPS, an issue that needs to be sorted if the righty wants to establish himself as a middle-of-the-rotation starter.

Kutter starts the at-bat with a curveball that gets away from him. Typically, Im all for the first pitch off-speed pitch to steal a strike when most hitters are looking for fastballs. In this case, Im a little more apprehensive because he started the previous at-bat with a curveball that Crawford put into play. Either way, the rightys release point is off and the ball is well above the zone for ball one.

Heres just the second fastball J.P. has seen today, well located at the top of the zone for a called strike. With the amount of induced vertical break on that pitch, its incredibly difficult for a hitter to square up if the shortstop were to swing. 1-1.

Heres a cutter that should be on the inner half, but starts too far outside and stays away. It may be a strike with a robot umpire, but its hard to ask for that call when you miss your spot and the catcher has to reach for it. Now, behind in the count, Crawford should look to throw strikes in areas where he can get weak contact. Against a lefty, a cutter up and in is a good option.

A beautiful sweeper this time that starts away and finishes middle. The lefty is way out in front, indicating hes looking for a fastball. Kutter has two options: either double down on the off-speed pitches even further from the zone or give the hitter the fastball hes been hunting. Normally, Id say throw the sweeper again, but because Crawford has only thrown 14 fastballs to this point and didnt throw one in a 2-1 count, the hitter may feel that hes not going to get one at all and Crawford can get one by him.

Filth. Kutter opts for the latter, pumping a fastball up and away that J.P. swings right under.

Heres another hitter that hasnt seen a fastball today. Through two at-bats, here are the pitches hes seen. Nothing but sweepers, cutters, and a slider.

First pitch four-seam fastball that misses inside. I love the idea here, just not the execution. This pitch should be on the inside edge, where if Rodriguez swings expecting the heavy diet of cutters and sweepers, hell get jammed and become a quick out. If he takes, its called strike one. Unfortunately, Crawford misses too far inside and is behind 1-0.

Cutter, skipped in for ball two. Now Crawford has to be careful with a dangerous hitter at the plate.

Heres another cutter for a called strike. Julio thinks its high, but the vertical drop brings it back down to maybe clip the top of the zone. At 2-1, Crawford should still be careful and even look to induce a weak ball in play. Another inside fastball could work here.

Statcast has this pitch as a cutter, but at only 82 MPH it may be a slider. Either way, he actually misses his spot as he wants this one down and away. Fortunately, it doesnt miss over the heart of the plate and Rodriguez fouls it out of play.

Heres an interesting one and something I dont know that Ive seen from Crawford before. Wong calls for a four-seamer and sets up low and away. Normally, Id advocate for Crawford to keep his fastball up in the zone, but this pitch has been set up over the last two at-bats. Ten of the eleven pitches Rodriguez has seen to this point have been moving away from him. If he sees a pitch that starts on the outside edge, hes likely to let it go, assuming it will continue to tail further out of the strike zone. Because its a four-seamer though, it would have stayed over the outside edge for called strike three. Its a good idea in practice, but poor execution from Crawford as the pitch misses upstairs and Rodriguez fouls it away again.

See what I mean? Crawford throws his sweeper this time that starts over the edge and finishes off the plate. Rodriguez thinks about it but recognizes its not going to be a strike and stops his swing to run the count full. The result here tells me that the previous pitch likely would have been a backward K with better location.

Now this is cool. I see pitch sequencing as a game of cat and mouse. Throw pitches the hitter isnt expecting and they become that much harder to hit. In his third trip time against Rodriguez, Crawford showed the fastball twice at 0-0, looking to get ahead of the hitter. Now, at 3-2, Rodriguez is likely looking for another fastball and instead sees another off-speed pitch. The confidence to execute breaking balls and off-speed pitches in a full count is incredibly valuable for pitchers, and Crawford did exactly that here against one of the games best hitters.

First pitch curveball at the bottom of the strike zone for called strike one. Hitters typically arent looking for 0-0 breakers, so executing these can be free strikes.

Polanco shows bunt, and Crawford lands a sweeper to get the count to 0-2. As always, at 0-2, throw anything that isnt good to hit.

Crawford doubles up on the sweeper and fools Polanco who barely gets a piece with the end of his bat. Id prefer to see this further below the zone, but thats nitpicking. Good pitch.

Another sweeper, this time too inside for ball one. Id go away from the sweeper after three consecutive.

Fastball above the zone for ball two. Another good idea, but it needs to be closer to the zone to get a swing.

Sweeper outside to run the count full.

And finally, a cutter that falls out of Crawfords hand to put Polanco on first base. Hell be disappointed in himself for walking a hitter after going up 0-2.

Crawford starts the at-bat with a cutter low and away. Haniger tries to check his swing, but cant hold up and gets called for strike one. The swing here tells me Haniger wants to be aggressive and get a fastball to hit.

Haniger gets the fastball he wants and fouls it off to right field. Poor location from Crawford who wants to keep this inside but instead leaks over the plate. 0-2, you know what to do (Dont throw something good to hit).

This is as good of an 0-2 pitch as you can throw without getting an out. Crawford goes with a sweeper and hits his spot down and away. Haniger has no interest, probably because hes only seen two fastballs to this point in the game, and both have been up in the zone. He sees a pitch down and knows to let it go.

Heres the pitch that Crawford tried to throw Julio Rodriguez, but executed perfectly. Haniger, seeing down and away again, lets this go as hes expecting it to spin out of the zone. Instead, it stays straight and gets the outside edge of the zone for called strike three. Each at-bat influences the next one, and this pitch works because of how Crawford has attacked hitters to this point. In this outing, the game plan was to throw more breaking balls, opening the door for the low and away fastball.

This wasnt Crawford at his best as he missed a few spots in the inning and threw a few extra pitches as a result, yet he still managed to get through six while only allowing a run. Overall, a more varied pitch mix should help Crawford get deeper into games, something the pitching staff needs to stay afloat throughout the season. The more unpredictable your pitches are, the more difficult it becomes for hitters to develop an approach. Andrew Bailey will get a lot of credit for the game plans, but we shouldnt overlook the fact that Crawford, and the other starters, have made the adjustments and executed well. Keep an eye out for more game-by-game changes in strategy as the season progresses.

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The Anatomy of An Inning: Kutter Crawford's Offspeed Heavy Debut - Over The Monster

What to Expect When Arizona Robbins Returns to ‘Grey’s Anatomy’ – Gwinnettdailypost.com

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‘Grey’s Anatomy’: Dr. Bailey’s Best Moments From Her Intern Era – Bustle

Greys Anatomys Season 20 premiere ended with Nick Marsh stepping away from Grey Sloan Memorials residency program, assuring the interns that hed found them quite the capable replacement: Dr. Miranda Bailey.

I have five rules, she said upon walking into the room, like a hero in an Avengers post-credits scene. Except better because Chandra Wilsons Bailey has been the steadfast, no-nonsense, beloved heart of the hospital for two decades now. As she steps in to guide the young doctors once again, shes bringing a major dose of Greys nostalgia with her.

As the shows newly appointed showrunner (and longtime writer) Meg Marinis recently told Bustle, theres a reason Season 20 is giving throwback MAGIC vibes. I love telling stories with interns, she explained. Attendings shouldnt be messing up all the time, but interns can, and thats really fun to write.

And where there are interns messing up, you can be sure Bailey wont be far away to supervise them, inspire them, and maybe talk some tough love into them as needed.

In honor of Baileys return to her intern boss era, here are her best Greys moments from helming the original class of Meredith, Alex, George, Izzie, and Cristina.

Baileys I have five rules in Season 20 was a callback to her first day with the interns in the Greys Anatomy series premiere. As a refresher, 1) Dont suck up; 2) Answer every page at a run; 3) Dont wake up Bailey unless your patient is dying; 4) Dont let your patient die before Bailey gets there; 5) When she moves, you move.

Looking back, its amazing that Bailey already had such a fully formed, commanding presence early on. She was still a resident herself, light blue scrubs and all!

Bailey was decidedly not a Meredith-Derek shipper, at least not during the early days of their relationship, when they sneaked around and blocked her in during a clandestine car hookup. The shot of her walking up to interrupt them? Cinema.

Soon, Bailey took Derek to task about his talented, neurotic, overly moussed charm, and the way his affair with an intern was problematic. On another show, a higher-up might have used this as an opportunity to shame her intern. But after countless rewatches, it becomes clear that Bailey was looking out for Merediths career the entire time, and its fun to watch her stand up to Derek to do it.

When Cristina had to undergo emergency surgery following her ectopic pregnancy in Season 2, Bailey stood by her the entire time. Im fine right here, she assured Addison, who didnt really need her during the procedure. It was moving to see Bailey be there for her intern in such a vulnerable situation, revealing a new layer of her character in the process.

Another quiet moment of compassion can be seen a few episodes later, when Derek and Bailey found themselves in the elevator together following the devastating train crash ordeal. Bailey saw Dereks typically cool exterior beginning to crack, and as he tried to stifle his cries, she silently pressed the elevators emergency stop button, giving him the chance to come undone.

The Greys Anatomy bomb episode had everything: dreamy bomb-squad boss Kyle Chandler, an all-time great soundtrack moment with Breathe, and, most importantly, Bailey telling George to stop looking at her va-jay-jay while she gave birth adding a new word the pop culture lexicon in the process.

As Shonda Rhimes told Oprah Winfrey in 2006, she overheard an assistant use the term and committed it to screen, adding that broadcast standards guidelines previously bristled at vagina.

We fought that and won but va-jay-jay is our favorite alternate term, she explained.

You fools better have a good explanation for this, Bailey told her interns after Izzie cut Dennys LVAD wire. Her arrival on the messy scene raised the stakes of Season 2s chaotic finale, and she quickly went into action mode, letting the interns tell her just enough so she could help Denny, but not so much that shed have to testify against them in a court.

Shes exactly the type of person youd want by your side in an emergency, and this scene proves it.

As a paragon of professionalism in the workplace, Bailey was understandably horrified to find one of her interns underwear pinned under a lost and found sign on the hospital bulletin board and her line delivery remains an all-time great Greys Anatomy moment.

Bailey was never more scared than when she was trying to revive Meredith after her drowning in Season 3. Not only was it touching to see Bailey persevere against the odds, but it also marked a shift in how she understood Meredith. She realized that the intern, sometimes a thorn in her superiors side, was just as vulnerable as any other patient in the hospital.

Bailey had a soft spot for George. She even honored him with her sons middle name! So it was heartening to see that she could be there for him when he stumbled, too, like when he didnt pass his intern exam at the end of Season 3. Asking him in tears, Did I fail you?, and grabbing Georges hand when he insisted he failed her, Baileys cool exterior shed a little more hinting at the kind of surgeon shed grow to be in the seasons to come.

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‘Grey’s Anatomy’ renewed for season 21 – The Hindu

Poster of Greys Anatomy Season 20 | Photo Credit: Disney

The long-running medical drama Greys Anatomy has been renewed for its 21st season by ABC.

The return of the acclaimed series, which had been in the works for a while, comes as the strikes-impacted 20th season recently returned to the network.

According to The Hollywood Reporter, the renewal marks the second season under new showrunner Meg Marinis, who took over at the end of season 19 for Krista Vernoff. It is created and executive produced by Shonda Rhimes.

The loyalty and love of Greys Anatomy fans has propelled us into a historic 21st season, and I could not be more grateful. Meg Marinis storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season, Rhimes said in a statement.

No details about the returning cast have been revealed, but leading lady Ellen Pompeo, who plays the role of Dr Meredith Grey in the series, is expected to continue her role in a recurring capacity after exiting ahead of season 20 as a series regular.

Grey's Anatomy remains the longest running primetime medical drama in TV history after surpassing ER in 2019.

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'Grey's Anatomy' renewed for season 21 - The Hindu

Are French Courtooms Really Like That? Fact-Checking Anatomy Of A Fall – Screen Rant

Summary

The Acadamy Award-winning film Anatomy of a Fall has been celebrated for its tense dialogue in hectic court drama, begging questions about its accuracy compared to real French courtrooms. French filmmaker Justine Triet co-wrote and directed the film, for which she received the Oscar for Best Original Screenplay. The movie has been celebrated primarily for its writing and for the excellent performances of Sandra Hller and the Anatomy of a Fall cast. Great movies don't need to be entirely accurate to real life, but a film that embraces a candid tone will naturally raise curiosity regarding realism.

Anatomy of a Fall is available to stream on Hulu.

Many of the best movies like Anatomy of a Fall are classic legal dramas like Witness for the Prosecution, which have become ingrained in American culture, defining the mechanics of the cinematic court setting. However, the legal system is obviously different in France, giving Triet's film a unique function that many American audiences wouldn't be familiar with. That unfamiliarity serves the movie's drama, creating a sense of chaos and confusion for Anatomy of a Fall's intensity. As for its accuracy to a French trial, there's a significant amount to break down.

Speaking of the chaos in Anatomy of a Fall, much of the film's potency comes from the disorganized trial conversation. In American legal dramas, it's typical for things to get rowdy and dramatic during a climactic scene or otherwise, with characters raising their voices, lawyers yelling for objections, and judges making threats in order to silence the scene. Those American films have a particularly measured drama, with the conflict remaining mostly static, back-and-forth, until the big outburst scenes. In Anatomy of a Fall, that drama is constant,which is realistic to France's legal system.

In a Vulture interview, Jacqueline Hodgson, a law professor in England, broke down many aspects of the depicted courtroom drama. Anatomy of a Fall may not be based on a real story, but it excels in its authenticity, with very few inaccuracies. One aspect it nails is the open discussion of the court, as opposed to the American legal system, where one person is questioned at a time, and no one is permitted to speak unless directly addressed. There is organization in the film's trial, but it can seem more loose compared to an American trial.

Hodgson compares the two, explaining that the accused/defendant gets to speak out more, even to correct someone when they've made a statement about them. Sandra Hller's character frequently does this in Anatomy of a Fall. Hodgson differentiates the systems' ideologies, contrasting American and French legal systems as adversarial vs truth-seeking, meaning the American system centers more on winning and losing, while France focuses more on discovering information. In that regard, the judges in France are allowed to speak directly to the defendant, as seen in the movie.

The interviewer describes the French courtroom in Anatomy of a Fall as "gladiatorial" due to its rounded head, questioning the legitimacy of the setting. Unlike the square chambers in American courts, where the defendant and prosecutor sit on opposite sides, both facing the judge, the film's court is rounded. Still, some aspects remain consistent, with the judges being at the head of the room and the accused and prosecutor on opposite sides.

Hodgson explains that, like in American courtrooms, the judge is raised to physical and symbolic elevation, presiding over the trial. She explains that the aspect of a lawyer sitting by their client is a North American concept, adding: "In France, the accused will be separated off, and everything goes on around her." She stresses the importance of the rounded architecture and symbolic courtroom composition to the overall process.

Aside from the architecture, the legal attire is a notable aspect of the French courtroom in Anatomy of a Fall. Characters are wearing robes that resemble university graduation attire, which Hodgson explains is something they can throw on over their everyday attire to prepare for the court. Compared to the level of style and presentation that hold a prominent place in American courts in order to sway juries, she explains that French lawyers are often dressed very casually under their robes.

In American legal dramas, the lawyer is almost always the most essential character. From movies like Philadelphia and My Cousin Vinny to TV shows like Better Call Saul, lawyers are depicted as a significant proponent of the courtroom procedure, with their wit and skill often making or breaking cases. However, this plays into Hodgson's description of the "adversarial system," meaning the American system stakes heavily on lawyers winning and losing cases. In France, lawyers don't play as significant of a role.

The defense ultimately relies on Sandra's explanations, which is made more challenging by French not being her native language.

Hodgson explains that in France, "The judge and advocate general are much more important." In Anatomy of a Fall, Sandra's lawyer, Vincent (Swann Arlaud), has a few moments to speak, but the bulk of the trial comes down to Sandra arguing for herself. He helps guide her arguments away from the courtroom, but the defense ultimately relies on Sandra's explanations, which is made more challenging by French not being her native language.

Early in Anatomy of a Fall, a judge visits the house to assess the situation and gather evidence. Again, this is something that would seem atypical to an American audience, as the evaluation of a potential crime scene would be handled by the police. Even more so, Sandra is allowed to go with the judge, providing an explanation from her perspective as they examine the premises. Hodgson explains this is accurate and contributes to the French courtroom ideology of truth-finding.

The judge present in the search isn't the same as in the court, but rather the juge d'instruction, or "pre-trial judge." At the actual court, three different trial judges serve as a panel. Hodgson describes the purpose of Sandra attending the pre-trial judge's examination, saying, "The idea is that you, as the accused person, along with the public prosecutor and the victim, all can feed into that investigation, and both the accused person and the victim can each be represented by a lawyer." Their findings carry significant weight in the trial.

Although Anatomy of a Fall excels in its realism, it's not entirely accurate. Hodgson highlights a few examples. First, she explains that Sandra could have had access to a translator if she preferred to help with her language barrier. However, she adds that using a translator can disrupt the flow, which could be why Sandra decided not to. It's almost certainly why Justine Triet chose not to have one in her film. The other two major inaccuracies revolve around Daniel, Sandra's son, who testifies in favor of his mother in the Anatomy of a Fall ending.

Hodgson explains that having a sitter for Daniel to take care of him while his mother was on trial is not something that the French legal system would be able to afford in real life. Also, she adds that Daniel's climactic testimony was primarily a creative liberty, saying, "Normally, you couldn't sit in on the trial, hear what everybody else says, and then testify." For the most part, Anatomy of a Fall is true to the system, though, like any great film, it takes its freedom for riveting drama.

Sources: Vulture

Anatomy of a Fall is a crime-drama film by director Justine Triet and made its initial debut at the Cannes Film Festival in 2023. Following the death of successful writer Sandra's husband Samuel in the French Alps, she is arrested and accused of murder. With their blind son, Daniel, the only witness to Samuel's death, Sandra must face nearly impossible odds to prove her innocence.

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